{"id":118,"date":"2026-03-28T10:28:38","date_gmt":"2026-03-28T10:28:38","guid":{"rendered":"https:\/\/transitnews.news\/index.php\/2026\/03\/28\/the-40-best-fashion-documentaries-to-watch-in-between-runway-seasons\/"},"modified":"2026-03-28T10:28:38","modified_gmt":"2026-03-28T10:28:38","slug":"the-40-best-fashion-documentaries-to-watch-in-between-runway-seasons","status":"publish","type":"post","link":"https:\/\/transitnews.news\/index.php\/2026\/03\/28\/the-40-best-fashion-documentaries-to-watch-in-between-runway-seasons\/","title":{"rendered":"The 40 Best Fashion Documentaries to Watch in Between Runway Seasons"},"content":{"rendered":"<div id=\"main-content\" tabindex=\"-1\">\n<article lang=\"en-US\">\n<div data-testid=\"RowWrapper\">\n<header>\n<div data-testid=\"ContentHeaderContainer\">\n<div data-testid=\"ContentHeaderAccreditation\">\n<p><span><picture><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt src=\"https:\/\/assets.vogue.com\/photos\/6973e386ca1741e4566db1cf\/1:1\/w_310%2Cc_limit\/VOGUE-icon-white.png\"><\/picture><\/span><\/p>\n<\/div>\n<div data-testid=\"ContentHeaderLeadAsset\">\n<figure>\n<div>\n<p><span><\/p>\n<div data-testid=\"aspect-ratio-container\"><picture><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"valentino best fashion documentaries\" src=\"https:\/\/assets.vogue.com\/photos\/6537db9f3052f9bc8e7f8888\/master\/w_320%2Cc_limit\/MCDVALE_EC018.jpg\"><\/picture><\/div>\n<p><\/span><\/p>\n<p><span>VALENTINO: THE LAST EMPEROR, Valentino Garavani (front, right of center), 2008. \u00a9Truly Indie\/Courtesy Everett Collection<\/span><span>Truly Indie\/Courtesy Everett Collection<\/span><\/p>\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/header>\n<\/div>\n<div data-attribute-verso-pattern=\"gallery-body\">\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<div data-journey-hook=\"client-content\" data-testid=\"BodyWrapper\">\n<p>The scenes inside the walls of a glossy magazine or backstage at a glamorous runway show can feel like hermetically sealed worlds, inaccessible to even the most diehard fans. Yes, things have changed thanks to the internet\u2014with few exceptions, fans can now watch livestreams directly on brand\u2019s social media accounts. However, the best fashion documentaries have the power to take things one step further. The best delight, inspire, and transport you mise en sc\u00e8ne, providing in some cases, such as <em>Martin Margiela: In His Own Words<\/em>, unprecedented insight on the industry\u2019s most elusive figures. Some paint tender portraits of modern titans and the teams behind them such as Raf Simons in <em>Dior and I<\/em>. Documentaries like <em>The September Issue<\/em> and <em>Helmut Newton: The Bad and the Beautiful<\/em> shed light on how other aspects of the industry operate off the runway\u2014after all, once the shows wrap and before the next season begins, runway samples are couriered across the globe to be worn on red carpets and shot in magazine editorials. While the <a href=\"https:\/\/www.vogue.com\/article\/the-11-fashion-trends-that-defined-the-fall-2026-season\" target=\"_blank\">fall 2026 collections<\/a> make their own circumnavigations, read on to see the best fashion documentaries below.<\/p>\n<\/div>\n<ul>\n<li id=\"66be8996daa5a1818932d0bc\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"portrait\" data-item=\"{\"dangerousHed\":\"<em>Unzipped<\/em> (1995)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be8996daa5a1818932d0bc&#8221;,&#8221;index&#8221;:0,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Isaac Mizrahi Naomi Campbell Linda Evangelista Advertisement Poster Adult Person Face and Head&#8221;,&#8221;caption&#8221;:&#8221;Unzipped isn\u2019t just any fashion documentary, it\u2019s one of <em>the<\/em> documentaries fashion fans must watch. Directed by Douglas Keeve, the documentary revolves around the work of his then boyfriend, designer and \u201990s fashion wunderkind Isaac Mizrahi. Following a negative review to his spring 1994 collection and the subsequent creation of his next collection, it paints an endearing and in-depth picture of one of fashion\u2019s most entertaining, brilliant, and mercurial designers.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;\u00a9Miramax\/Courtesy Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:483,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8996daa5a1818932d0bc\/master\/w_320,c_limit\/MSDUNZI_EC008.jpg&#8221;},{&#8220;height&#8221;:967,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8996daa5a1818932d0bc\/master\/w_640,c_limit\/MSDUNZI_EC008.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:967,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8996daa5a1818932d0bc\/master\/w_640,c_limit\/MSDUNZI_EC008.jpg&#8221;},{&#8220;height&#8221;:1933,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8996daa5a1818932d0bc\/master\/w_1280,c_limit\/MSDUNZI_EC008.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:1547,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8996daa5a1818932d0bc\/master\/w_1024,c_limit\/MSDUNZI_EC008.jpg&#8221;},{&#8220;height&#8221;:3093,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8996daa5a1818932d0bc\/master\/w_2048,c_limit\/MSDUNZI_EC008.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:1933,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8996daa5a1818932d0bc\/master\/w_1280,c_limit\/MSDUNZI_EC008.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:1933,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8996daa5a1818932d0bc\/master\/w_1280,c_limit\/MSDUNZI_EC008.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"portrait\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Isaac Mizrahi Naomi Campbell Linda Evangelista Advertisement Poster Adult Person Face and Head\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be8996daa5a1818932d0bc\/master\/w_1024%2Cc_limit\/MSDUNZI_EC008.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>\u00a9Miramax\/Courtesy Everett Collection<\/p>\n<h2><span><em>Unzipped<\/em> (1995)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Unzipped isn\u2019t just any fashion documentary, it\u2019s one of <em>the<\/em> documentaries fashion fans must watch. Directed by Douglas Keeve, the documentary revolves around the work of his then boyfriend, designer and \u201990s fashion wunderkind Isaac Mizrahi. Following a negative review to his spring 1994 collection and the subsequent creation of his next collection, it paints an endearing and in-depth picture of one of fashion\u2019s most entertaining, brilliant, and mercurial designers.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc1767e5979360b4259d\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Dior And I<\/em> (2014)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1767e5979360b4259d&#8221;,&#8221;index&#8221;:1,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Dior and I is for anyone longing for a peek inside the world of couture. The film tells the story of Raf Simons creating&#8230;&#8221;,&#8221;caption&#8221;:&#8221;<em>Dior and I<\/em> is for anyone longing for a peek inside the world of couture. The film tells the story of Raf Simons creating his beloved debut for the storied house in just under eight weeks. It\u2019s an intense, high-pressure journey in which he pays beautiful homage to the <em>petites mains<\/em> who help make his collection come to life.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Courtesy Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1767e5979360b4259d\/master\/w_320,c_limit\/MCDDIAN_EC128.jpg&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1767e5979360b4259d\/master\/w_640,c_limit\/MCDDIAN_EC128.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1767e5979360b4259d\/master\/w_640,c_limit\/MCDDIAN_EC128.jpg&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1767e5979360b4259d\/master\/w_1280,c_limit\/MCDDIAN_EC128.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1767e5979360b4259d\/master\/w_1024,c_limit\/MCDDIAN_EC128.jpg&#8221;},{&#8220;height&#8221;:1152,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1767e5979360b4259d\/master\/w_2048,c_limit\/MCDDIAN_EC128.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1767e5979360b4259d\/master\/w_1280,c_limit\/MCDDIAN_EC128.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1767e5979360b4259d\/master\/w_1280,c_limit\/MCDDIAN_EC128.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Dior and I is for anyone longing for a peek inside the world of couture. The film tells the story of Raf Simons creating...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc1767e5979360b4259d\/master\/w_1024%2Cc_limit\/MCDDIAN_EC128.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Courtesy Everett Collection<\/p>\n<h2><span><em>Dior And I<\/em> (2014)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p><em>Dior and I<\/em> is for anyone longing for a peek inside the world of couture. The film tells the story of Raf Simons creating his beloved debut for the storied house in just under eight weeks. It\u2019s an intense, high-pressure journey in which he pays beautiful homage to the <em>petites mains<\/em> who help make his collection come to life.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"66be8a9cf8c7849ea42d7b5c\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>High &#038; Low: John Galliano<\/em> (2024)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be8a9cf8c7849ea42d7b5c&#8221;,&#8221;index&#8221;:2,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain John Galliano Head Person Face Adult and Sad&#8221;,&#8221;caption&#8221;:&#8221;Released shortly after John Galliano\u2019s immediately historic Maison Margiela spring 2024 collection and prior to his exit from the house, director Kevin Macdonald\u2019s film paints a robust yet nuanced portrait of one of fashion\u2019s most complex characters. The feature neither absolves nor condemns Galliano, who was fired from his post as creative director of Christian Dior in 2011 following antisemitic remarks. Close Galliano confidantes Naomi Campbell and Kate Moss provide insight into the character of the designer, as do former colleagues including LVMH executive Sidney Toledano, who was CEO of Dior at the time of Galliano\u2019s downfall.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Courtesy Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:170,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a9cf8c7849ea42d7b5c\/master\/w_320,c_limit\/MCDHIAN_EC095.jpg&#8221;},{&#8220;height&#8221;:340,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a9cf8c7849ea42d7b5c\/master\/w_640,c_limit\/MCDHIAN_EC095.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:340,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a9cf8c7849ea42d7b5c\/master\/w_640,c_limit\/MCDHIAN_EC095.jpg&#8221;},{&#8220;height&#8221;:680,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a9cf8c7849ea42d7b5c\/master\/w_1280,c_limit\/MCDHIAN_EC095.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:544,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a9cf8c7849ea42d7b5c\/master\/w_1024,c_limit\/MCDHIAN_EC095.jpg&#8221;},{&#8220;height&#8221;:1088,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a9cf8c7849ea42d7b5c\/master\/w_2048,c_limit\/MCDHIAN_EC095.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:680,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a9cf8c7849ea42d7b5c\/master\/w_1280,c_limit\/MCDHIAN_EC095.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:680,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a9cf8c7849ea42d7b5c\/master\/w_1280,c_limit\/MCDHIAN_EC095.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain John Galliano Head Person Face Adult and Sad\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be8a9cf8c7849ea42d7b5c\/master\/w_1024%2Cc_limit\/MCDHIAN_EC095.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Courtesy Everett Collection<\/p>\n<h2><span><em>High &#038; Low: John Galliano<\/em> (2024)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Released shortly after John Galliano\u2019s immediately historic Maison Margiela spring 2024 collection and prior to his exit from the house, director Kevin Macdonald\u2019s film paints a robust yet nuanced portrait of one of fashion\u2019s most complex characters. The feature neither absolves nor condemns Galliano, who was fired from his post as creative director of Christian Dior in 2011 following antisemitic remarks. Close Galliano confidantes Naomi Campbell and Kate Moss provide insight into the character of the designer, as do former colleagues including LVMH executive Sidney Toledano, who was CEO of Dior at the time of Galliano\u2019s downfall.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li><\/li>\n<li id=\"6537cc1c76efab7d10e5664c\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Dries<\/em> (2017)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1c76efab7d10e5664c&#8221;,&#8221;index&#8221;:3,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Before retiring from the runway in 2024 the Belgian designer Dries Van Noten was a mainstay on the Paris schedule and&#8230;&#8221;,&#8221;caption&#8221;:&#8221;Before retiring from the runway in 2024, the Belgian designer Dries Van Noten was a mainstay on the Paris schedule and this film offers a new perspective on his creative process. Filmed over an entire year, <em>Dries<\/em> is an intimate portrait of Van Noten\u2019s life in the design studio and at home, following the creative journey behind four of his expansive, meticulously researched collections.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1c76efab7d10e5664c\/master\/w_320,c_limit\/MCDDRIE_EC003.jpg&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1c76efab7d10e5664c\/master\/w_640,c_limit\/MCDDRIE_EC003.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1c76efab7d10e5664c\/master\/w_640,c_limit\/MCDDRIE_EC003.jpg&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1c76efab7d10e5664c\/master\/w_1280,c_limit\/MCDDRIE_EC003.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1c76efab7d10e5664c\/master\/w_1024,c_limit\/MCDDRIE_EC003.jpg&#8221;},{&#8220;height&#8221;:1152,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1c76efab7d10e5664c\/master\/w_2048,c_limit\/MCDDRIE_EC003.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1c76efab7d10e5664c\/master\/w_1280,c_limit\/MCDDRIE_EC003.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1c76efab7d10e5664c\/master\/w_1280,c_limit\/MCDDRIE_EC003.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Before retiring from the runway in 2024 the Belgian designer Dries Van Noten was a mainstay on the Paris schedule and...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc1c76efab7d10e5664c\/master\/w_1024%2Cc_limit\/MCDDRIE_EC003.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<h2><span><em>Dries<\/em> (2017)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Before retiring from the runway in 2024, the Belgian designer Dries Van Noten was a mainstay on the Paris schedule and this film offers a new perspective on his creative process. Filmed over an entire year, <em>Dries<\/em> is an intimate portrait of Van Noten\u2019s life in the design studio and at home, following the creative journey behind four of his expansive, meticulously researched collections.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cad746b0ce72e6d5854f\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Martin Margiela: In His Own Words<\/em> (2020)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cad746b0ce72e6d5854f&#8221;,&#8221;index&#8221;:4,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Book Skin and Money&#8221;,&#8221;caption&#8221;:&#8221;Documentarian Reiner Holzemer, who also directed <em>Dries<\/em>, adapts the story of another Belgian fashion legend: the famously elusive Martin Margiela. The designer\u2019s face is never shown on screen, with the camera instead honing in on his hands as he writes notes, constructs garments, and handles treasured objects from his childhood in Genk. After charting Margiela\u2019s upbringing, the film provides a potted history of his illustrious career\u2014zipping from his unconventional shows staged in disused freight trains and Salvation Army stores, to his most memorable creations (the Tabi boot, the photoprint dresses), and finally his exit from the industry in 2009. Could he be tempted to return to the fold? Holzemer believes it\u2019s possible, and the final edit makes you yearn for a comeback.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Dogwoof&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:213,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad746b0ce72e6d5854f\/master\/w_320,c_limit\/005-Fashion-Documentaries-Vogueint-Nov21-19-credit-Dogwoof.jpg&#8221;},{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad746b0ce72e6d5854f\/master\/w_640,c_limit\/005-Fashion-Documentaries-Vogueint-Nov21-19-credit-Dogwoof.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad746b0ce72e6d5854f\/master\/w_640,c_limit\/005-Fashion-Documentaries-Vogueint-Nov21-19-credit-Dogwoof.jpg&#8221;},{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad746b0ce72e6d5854f\/master\/w_1280,c_limit\/005-Fashion-Documentaries-Vogueint-Nov21-19-credit-Dogwoof.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:683,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad746b0ce72e6d5854f\/master\/w_1024,c_limit\/005-Fashion-Documentaries-Vogueint-Nov21-19-credit-Dogwoof.jpg&#8221;},{&#8220;height&#8221;:1365,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad746b0ce72e6d5854f\/master\/w_2048,c_limit\/005-Fashion-Documentaries-Vogueint-Nov21-19-credit-Dogwoof.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad746b0ce72e6d5854f\/master\/w_1280,c_limit\/005-Fashion-Documentaries-Vogueint-Nov21-19-credit-Dogwoof.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad746b0ce72e6d5854f\/master\/w_1280,c_limit\/005-Fashion-Documentaries-Vogueint-Nov21-19-credit-Dogwoof.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Book Skin and Money\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cad746b0ce72e6d5854f\/master\/w_1024%2Cc_limit\/005-Fashion-Documentaries-Vogueint-Nov21-19-credit-Dogwoof.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Dogwoof<\/p>\n<h2><span><em>Martin Margiela: In His Own Words<\/em> (2020)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Documentarian Reiner Holzemer, who also directed <em>Dries<\/em>, adapts the story of another Belgian fashion legend: the famously elusive Martin Margiela. The designer\u2019s face is never shown on screen, with the camera instead honing in on his hands as he writes notes, constructs garments, and handles treasured objects from his childhood in Genk. After charting Margiela\u2019s upbringing, the film provides a potted history of his illustrious career\u2014zipping from his unconventional shows staged in disused freight trains and Salvation Army stores, to his most memorable creations (the Tabi boot, the photoprint dresses), and finally his exit from the industry in 2009. Could he be tempted to return to the fold? Holzemer believes it\u2019s possible, and the final edit makes you yearn for a comeback.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"6537cc1f6d4e2a3ba7b0f680\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>McQueen<\/em> (2018)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1f6d4e2a3ba7b0f680&#8243;,&#8221;index&#8221;:5,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Spanning Lee McQueens remarkable career this film is a rich excavation of the mind of the legendary designer. With a&#8230;&#8221;,&#8221;caption&#8221;:&#8221;Spanning Lee McQueen\u2019s remarkable career, this film is a rich excavation of the mind of the legendary designer. With a focus on his boundary-breaking fashion shows, the documentary traces how this east London lad became the toast of Paris.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Everett Collection \/ Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:173,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f6d4e2a3ba7b0f680\/master\/w_320,c_limit\/MCDMCQU_EC003.jpg&#8221;},{&#8220;height&#8221;:347,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f6d4e2a3ba7b0f680\/master\/w_640,c_limit\/MCDMCQU_EC003.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:347,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f6d4e2a3ba7b0f680\/master\/w_640,c_limit\/MCDMCQU_EC003.jpg&#8221;},{&#8220;height&#8221;:693,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f6d4e2a3ba7b0f680\/master\/w_1280,c_limit\/MCDMCQU_EC003.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:555,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f6d4e2a3ba7b0f680\/master\/w_1024,c_limit\/MCDMCQU_EC003.jpg&#8221;},{&#8220;height&#8221;:1109,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f6d4e2a3ba7b0f680\/master\/w_2048,c_limit\/MCDMCQU_EC003.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:693,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f6d4e2a3ba7b0f680\/master\/w_1280,c_limit\/MCDMCQU_EC003.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:693,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f6d4e2a3ba7b0f680\/master\/w_1280,c_limit\/MCDMCQU_EC003.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Spanning Lee McQueens remarkable career this film is a rich excavation of the mind of the legendary designer. With a...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc1f6d4e2a3ba7b0f680\/master\/w_1024%2Cc_limit\/MCDMCQU_EC003.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Everett Collection \/ Everett Collection<\/p>\n<h2><span><em>McQueen<\/em> (2018)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Spanning Lee McQueen\u2019s remarkable career, this film is a rich excavation of the mind of the legendary designer. With a focus on his boundary-breaking fashion shows, the documentary traces how this east London lad became the toast of Paris.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"66be8491145c6c2aa0e7edf4\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Marc Jacobs &#038; Louis Vuitton<\/em> (2007)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be8491145c6c2aa0e7edf4&#8243;,&#8221;index&#8221;:6,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Bernard Arnault Marc Jacobs Blazer Clothing Coat Jacket People Person Accessories and Formal Wear&#8221;,&#8221;caption&#8221;:&#8221;None other than Lo\u00efc Prigent, one of contemporary fashion\u2019s most intrepid visual storytellers, could have told the story of Marc Jacobs\u2019s transformational trajectory at Louis Vuitton. Come for snippets of Jacobs\u2019s personal life\u2014like him arriving at a New Year\u2019s Eve party dressed as a pigeon\u2014stay for commentary by everyone from Sofia Coppola to Larry Gagosian.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Stephane Cardinale &#8211; Corbis\/Getty Images&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:213,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8491145c6c2aa0e7edf4\/master\/w_320,c_limit\/535832222&#8243;},{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8491145c6c2aa0e7edf4\/master\/w_640,c_limit\/535832222&#8243;}],&#8221;md&#8221;:[{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8491145c6c2aa0e7edf4\/master\/w_640,c_limit\/535832222&#8243;},{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8491145c6c2aa0e7edf4\/master\/w_1280,c_limit\/535832222&#8243;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:683,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8491145c6c2aa0e7edf4\/master\/w_1024,c_limit\/535832222&#8243;},{&#8220;height&#8221;:1365,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8491145c6c2aa0e7edf4\/master\/w_2048,c_limit\/535832222&#8243;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8491145c6c2aa0e7edf4\/master\/w_1280,c_limit\/535832222&#8243;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8491145c6c2aa0e7edf4\/master\/w_1280,c_limit\/535832222&#8243;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Bernard Arnault Marc Jacobs Blazer Clothing Coat Jacket People Person Accessories and Formal Wear\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be8491145c6c2aa0e7edf4\/master\/w_1024%2Cc_limit\/535832222\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Stephane Cardinale &#8211; Corbis\/Getty Images<\/p>\n<h2><span><em>Marc Jacobs &#038; Louis Vuitton<\/em> (2007)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>None other than Lo\u00efc Prigent, one of contemporary fashion\u2019s most intrepid visual storytellers, could have told the story of Marc Jacobs\u2019s transformational trajectory at Louis Vuitton. Come for snippets of Jacobs\u2019s personal life\u2014like him arriving at a New Year\u2019s Eve party dressed as a pigeon\u2014stay for commentary by everyone from Sofia Coppola to Larry Gagosian.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"65bdc144fe1dd500ace95b11\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"portrait\" data-item=\"{\"dangerousHed\":\"<em>Marc by Sofia<\/em> (2026)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;65bdc144fe1dd500ace95b11&#8243;,&#8221;index&#8221;:7,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Speaking of Sofia Coppola the acclaimed filmmaker recently set out to create a nontraditional documentary of her close&#8230;&#8221;,&#8221;caption&#8221;:&#8221;Speaking of Sofia Coppola, the acclaimed filmmaker recently set out to create a non-traditional documentary of her close friend Marc Jacobs. The film follows the 12 weeks leading up to his wonderfully kooky spring 2024 collection. Though the conversational content doesn\u2019t delve too deeply into the life and biography of the American designer, Coppola wonderfully stitches together scenes from the studio with some of Jacobs\u2019s greatest inspirations, including Rainer Werner Fassbinder\u2019s <em>The Bitter Tears of Petra von Kant<\/em> and anything Bob Fosse ever touched.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Photo: Courtesy of Marc Jacobs&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:480,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/65bdc144fe1dd500ace95b11\/master\/w_320,c_limit\/00001-marc-jacobs-spring-2024-ready-to-wear-courtesy-of-marc-jacobs.jpg&#8221;},{&#8220;height&#8221;:960,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/65bdc144fe1dd500ace95b11\/master\/w_640,c_limit\/00001-marc-jacobs-spring-2024-ready-to-wear-courtesy-of-marc-jacobs.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:960,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/65bdc144fe1dd500ace95b11\/master\/w_640,c_limit\/00001-marc-jacobs-spring-2024-ready-to-wear-courtesy-of-marc-jacobs.jpg&#8221;},{&#8220;height&#8221;:1920,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/65bdc144fe1dd500ace95b11\/master\/w_1280,c_limit\/00001-marc-jacobs-spring-2024-ready-to-wear-courtesy-of-marc-jacobs.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:1536,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/65bdc144fe1dd500ace95b11\/master\/w_1024,c_limit\/00001-marc-jacobs-spring-2024-ready-to-wear-courtesy-of-marc-jacobs.jpg&#8221;},{&#8220;height&#8221;:3072,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/65bdc144fe1dd500ace95b11\/master\/w_2048,c_limit\/00001-marc-jacobs-spring-2024-ready-to-wear-courtesy-of-marc-jacobs.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:1920,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/65bdc144fe1dd500ace95b11\/master\/w_1280,c_limit\/00001-marc-jacobs-spring-2024-ready-to-wear-courtesy-of-marc-jacobs.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:1920,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/65bdc144fe1dd500ace95b11\/master\/w_1280,c_limit\/00001-marc-jacobs-spring-2024-ready-to-wear-courtesy-of-marc-jacobs.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"portrait\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Speaking of Sofia Coppola the acclaimed filmmaker recently set out to create a nontraditional documentary of her close...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/65bdc144fe1dd500ace95b11\/master\/w_1024%2Cc_limit\/00001-marc-jacobs-spring-2024-ready-to-wear-courtesy-of-marc-jacobs.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Photo: Courtesy of Marc Jacobs<\/p>\n<h2><span><em>Marc by Sofia<\/em> (2026)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Speaking of Sofia Coppola, the acclaimed filmmaker recently set out to create a non-traditional documentary of her close friend Marc Jacobs. The film follows the 12 weeks leading up to his wonderfully kooky spring 2024 collection. Though the conversational content doesn\u2019t delve too deeply into the life and biography of the American designer, Coppola wonderfully stitches together scenes from the studio with some of Jacobs\u2019s greatest inspirations, including Rainer Werner Fassbinder\u2019s <em>The Bitter Tears of Petra von Kant<\/em> and anything Bob Fosse ever touched.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"6537db9f3052f9bc8e7f8888\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Valentino: The Last Emperor<\/em> (2008)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537db9f3052f9bc8e7f8888&#8243;,&#8221;index&#8221;:8,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;valentino best fashion documentaries&#8221;,&#8221;caption&#8221;:&#8221;Almost 50 years after founding his fashion house, in 1959, Valentino Garavani, one of the world\u2019s most celebrated designers, announced his retirement in 2007. <em>Valentino: The Last Emperor<\/em> explores the professional and personal life of the designer, paying tribute to his career as he prepares for his final show, and taking a closer look at the relationship between him and his long-term partner in business Giancarlo Giammetti. Following the designer\u2019s death in 2025, this Matt Tyrnauer-directed documentary rings all the more true.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Truly Indie\/Courtesy Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537db9f3052f9bc8e7f8888\/master\/w_320,c_limit\/MCDVALE_EC018.jpg&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537db9f3052f9bc8e7f8888\/master\/w_640,c_limit\/MCDVALE_EC018.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537db9f3052f9bc8e7f8888\/master\/w_640,c_limit\/MCDVALE_EC018.jpg&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537db9f3052f9bc8e7f8888\/master\/w_1280,c_limit\/MCDVALE_EC018.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537db9f3052f9bc8e7f8888\/master\/w_1024,c_limit\/MCDVALE_EC018.jpg&#8221;},{&#8220;height&#8221;:1152,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537db9f3052f9bc8e7f8888\/master\/w_2048,c_limit\/MCDVALE_EC018.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537db9f3052f9bc8e7f8888\/master\/w_1280,c_limit\/MCDVALE_EC018.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537db9f3052f9bc8e7f8888\/master\/w_1280,c_limit\/MCDVALE_EC018.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"valentino best fashion documentaries\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537db9f3052f9bc8e7f8888\/master\/w_1024%2Cc_limit\/MCDVALE_EC018.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Truly Indie\/Courtesy Everett Collection<\/p>\n<h2><span><em>Valentino: The Last Emperor<\/em> (2008)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Almost 50 years after founding his fashion house, in 1959, Valentino Garavani, one of the world\u2019s most celebrated designers, announced his retirement in 2007. <em>Valentino: The Last Emperor<\/em> explores the professional and personal life of the designer, paying tribute to his career as he prepares for his final show, and taking a closer look at the relationship between him and his long-term partner in business Giancarlo Giammetti. Following the designer\u2019s death in 2025, this Matt Tyrnauer-directed documentary rings all the more true.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc1f7be8207190c67d4b\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Westwood: Punk. Icon. Activist.<\/em> (2018)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1f7be8207190c67d4b&#8221;,&#8221;index&#8221;:9,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;The late Vivienne Westwood was one of British fashions most dominant forces for decades yet it took until 2018 for a&#8230;&#8221;,&#8221;caption&#8221;:&#8221;The late Vivienne Westwood was one of British fashion\u2019s most dominant forces for decades, yet it took until 2018 for a comprehensive look at the designer\u2019s story on film. While <em>Westwood: Punk. Icon. Activist.<\/em> looks back over Westwood\u2019s career arc, it also shows her continued talent as a trailblazer in her final years, advocating for sustainability and pushing her brand forward with the same anarchic enthusiasm that made her a legend to begin with.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Everett Collection \/ Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:168,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f7be8207190c67d4b\/master\/w_320,c_limit\/MCDWEST_EC041.jpg&#8221;},{&#8220;height&#8221;:336,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f7be8207190c67d4b\/master\/w_640,c_limit\/MCDWEST_EC041.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:336,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f7be8207190c67d4b\/master\/w_640,c_limit\/MCDWEST_EC041.jpg&#8221;},{&#8220;height&#8221;:672,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f7be8207190c67d4b\/master\/w_1280,c_limit\/MCDWEST_EC041.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:538,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f7be8207190c67d4b\/master\/w_1024,c_limit\/MCDWEST_EC041.jpg&#8221;},{&#8220;height&#8221;:1075,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f7be8207190c67d4b\/master\/w_2048,c_limit\/MCDWEST_EC041.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:672,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f7be8207190c67d4b\/master\/w_1280,c_limit\/MCDWEST_EC041.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:672,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f7be8207190c67d4b\/master\/w_1280,c_limit\/MCDWEST_EC041.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"The late Vivienne Westwood was one of British fashions most dominant forces for decades yet it took until 2018 for a...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc1f7be8207190c67d4b\/master\/w_1024%2Cc_limit\/MCDWEST_EC041.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Everett Collection \/ Everett Collection<\/p>\n<h2><span><em>Westwood: Punk. Icon. Activist.<\/em> (2018)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>The late Vivienne Westwood was one of British fashion\u2019s most dominant forces for decades, yet it took until 2018 for a comprehensive look at the designer\u2019s story on film. While <em>Westwood: Punk. Icon. Activist.<\/em> looks back over Westwood\u2019s career arc, it also shows her continued talent as a trailblazer in her final years, advocating for sustainability and pushing her brand forward with the same anarchic enthusiasm that made her a legend to begin with.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc1cbbf551d76fee01ac\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Lagerfeld Confidential<\/em> (2007)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1cbbf551d76fee01ac&#8221;,&#8221;index&#8221;:10,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;What did a day in the life of Karl Lagerfeld look like Lagerfeld Confidential gives you an idea with its peek inside the&#8230;&#8221;,&#8221;caption&#8221;:&#8221;What did a day in the life of Karl Lagerfeld look like? <em>Lagerfeld Confidential<\/em> gives you an idea, with its peek inside the everyday routine of the famously private yet extravagant designer, who passed away in 2019. 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It traces his life through his childhood in Hamburg, to his coming of age in Paris\u2019s exploding creative scene, to his indelible 36-year career at Chanel. Perhaps the most intimate moment is the film\u2019s tender examination of the designer\u2019s experiences as a young boy during World War II, a topic he rarely discussed publicly or privately.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Photo: Foc Kan&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:212,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/69c6d89257623ce601b9c18c\/master\/w_320,c_limit\/459110624&#8243;},{&#8220;height&#8221;:425,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/69c6d89257623ce601b9c18c\/master\/w_640,c_limit\/459110624&#8243;}],&#8221;md&#8221;:[{&#8220;height&#8221;:425,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/69c6d89257623ce601b9c18c\/master\/w_640,c_limit\/459110624&#8243;},{&#8220;height&#8221;:849,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/69c6d89257623ce601b9c18c\/master\/w_1280,c_limit\/459110624&#8243;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:679,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/69c6d89257623ce601b9c18c\/master\/w_1024,c_limit\/459110624&#8243;},{&#8220;height&#8221;:1359,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/69c6d89257623ce601b9c18c\/master\/w_2048,c_limit\/459110624&#8243;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:849,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/69c6d89257623ce601b9c18c\/master\/w_1280,c_limit\/459110624&#8243;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:849,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/69c6d89257623ce601b9c18c\/master\/w_1280,c_limit\/459110624&#8243;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Karl Lagerfeld Clothing Formal Wear Suit Accessories Sunglasses Blazer Coat Jacket and Adult\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/69c6d89257623ce601b9c18c\/master\/w_1024%2Cc_limit\/459110624\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Photo: Foc Kan<\/p>\n<h2><span><em>Karl<\/em> (2025)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Part archival footage, part dialogue from some of Karl Lagerfeld\u2019s closest professional and personal confidantes, including sound director\u00a0Michel Gaubert and Chanel\u2019s head of communications Marie-Louise de Clermont-Tonnerre,\u00a0<em>Karl<\/em>\u00a0paints a retrospective portrait of the legendary late designer. It traces his life through his childhood in Hamburg, to his coming of age in Paris\u2019s exploding creative scene, to his indelible 36-year career at Chanel. 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Celebrating the brand\u2019s 70th anniversary, the series offers a unique insight into the luxury French fashion house and the transitional period between designers in the lead-up to the appointment of Maria Grazia Chiuri.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbdcfc6b153474b9c7ce\/master\/w_320,c_limit\/1200&#215;675.jpg&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbdcfc6b153474b9c7ce\/master\/w_640,c_limit\/1200&#215;675.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbdcfc6b153474b9c7ce\/master\/w_640,c_limit\/1200&#215;675.jpg&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbdcfc6b153474b9c7ce\/master\/w_1280,c_limit\/1200&#215;675.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbdcfc6b153474b9c7ce\/master\/w_1024,c_limit\/1200&#215;675.jpg&#8221;},{&#8220;height&#8221;:1152,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbdcfc6b153474b9c7ce\/master\/w_2048,c_limit\/1200&#215;675.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbdcfc6b153474b9c7ce\/master\/w_1280,c_limit\/1200&#215;675.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbdcfc6b153474b9c7ce\/master\/w_1280,c_limit\/1200&#215;675.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Following Raf Simonss exit this twopart documentary goes behind the scenes of the hunt for a new creative director...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cbdcfc6b153474b9c7ce\/master\/w_1024%2Cc_limit\/1200x675.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<h2><span><em>Inside Dior<\/em> (2016)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Following Raf Simons\u2019s exit, this two-part documentary goes behind the scenes of the hunt for a new creative director, following in the footsteps of Yves Saint Laurent, John Galliano and, of course, Christian Dior. Celebrating the brand\u2019s 70th anniversary, the series offers a unique insight into the luxury French fashion house and the transitional period between designers in the lead-up to the appointment of Maria Grazia Chiuri.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"5f10b6d7d628db43e6d82e7f\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"portrait\" data-item=\"{\"dangerousHed\":\"<em>Maison Margiela Artisanal Co-Ed Collection Autumn-Winter 2020 | S.W.A.L.K.<\/em> (2020)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;5f10b6d7d628db43e6d82e7f&#8221;,&#8221;index&#8221;:13,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Outdoors Nature Mountain Light Flare Dance Pose Leisure Activities and Lighting&#8221;,&#8221;caption&#8221;:&#8221;Yet another deep cut, this 2020 documentary directed by Nick Knight documents the making-of John Galliano\u2019s fall 2020 couture collection for Maison Margiela from inspiration to toiles and fittings to the final product. Encompassing self-shot footage, recorded screens featuring decks and video calls, and vlog-style storytelling, this feature sits in the liminal space between contemporary, digital-driven fashion and the age-old tradition of haute couture creation.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Photo: Rob Rusling \/ Courtesy of Maison Margiela&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:480,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/5f10b6d7d628db43e6d82e7f\/master\/w_320,c_limit\/00040-Maison-Margiela-Artisanal-Couture-Fall-20-Credit-Rob-Rusling.jpg&#8221;},{&#8220;height&#8221;:960,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/5f10b6d7d628db43e6d82e7f\/master\/w_640,c_limit\/00040-Maison-Margiela-Artisanal-Couture-Fall-20-Credit-Rob-Rusling.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:960,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/5f10b6d7d628db43e6d82e7f\/master\/w_640,c_limit\/00040-Maison-Margiela-Artisanal-Couture-Fall-20-Credit-Rob-Rusling.jpg&#8221;},{&#8220;height&#8221;:1920,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/5f10b6d7d628db43e6d82e7f\/master\/w_1280,c_limit\/00040-Maison-Margiela-Artisanal-Couture-Fall-20-Credit-Rob-Rusling.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:1536,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/5f10b6d7d628db43e6d82e7f\/master\/w_1024,c_limit\/00040-Maison-Margiela-Artisanal-Couture-Fall-20-Credit-Rob-Rusling.jpg&#8221;},{&#8220;height&#8221;:3072,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/5f10b6d7d628db43e6d82e7f\/master\/w_2048,c_limit\/00040-Maison-Margiela-Artisanal-Couture-Fall-20-Credit-Rob-Rusling.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:1920,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/5f10b6d7d628db43e6d82e7f\/master\/w_1280,c_limit\/00040-Maison-Margiela-Artisanal-Couture-Fall-20-Credit-Rob-Rusling.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:1920,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/5f10b6d7d628db43e6d82e7f\/master\/w_1280,c_limit\/00040-Maison-Margiela-Artisanal-Couture-Fall-20-Credit-Rob-Rusling.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"portrait\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Outdoors Nature Mountain Light Flare Dance Pose Leisure Activities and Lighting\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/5f10b6d7d628db43e6d82e7f\/master\/w_1024%2Cc_limit\/00040-Maison-Margiela-Artisanal-Couture-Fall-20-Credit-Rob-Rusling.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Photo: Rob Rusling \/ Courtesy of Maison Margiela<\/p>\n<h2><span><em>Maison Margiela Artisanal Co-Ed Collection Autumn-Winter 2020 | S.W.A.L.K.<\/em> (2020)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Yet another deep cut, this 2020 documentary directed by Nick Knight documents the making-of John Galliano\u2019s fall 2020 couture collection for Maison Margiela from inspiration to toiles and fittings to the final product. Encompassing self-shot footage, recorded screens featuring decks and video calls, and vlog-style storytelling, this feature sits in the liminal space between contemporary, digital-driven fashion and the age-old tradition of haute couture creation.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"6537cadbc8afdca64dc12470\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>L\u2019Amour Fou<\/em> (2010)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cadbc8afdca64dc12470&#8243;,&#8221;index&#8221;:14,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;LAmour Fou&#8221;,&#8221;caption&#8221;:&#8221;<em>L\u2019Amour Fou<\/em> explores the life of the man behind the Yves Saint Laurent label, focusing in particular on the relationship between the designer and his partner Pierre Berg\u00e9.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Rex&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:213,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cadbc8afdca64dc12470\/master\/w_320,c_limit\/original&#8221;},{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cadbc8afdca64dc12470\/master\/w_640,c_limit\/original&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cadbc8afdca64dc12470\/master\/w_640,c_limit\/original&#8221;},{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cadbc8afdca64dc12470\/master\/w_1280,c_limit\/original&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:683,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cadbc8afdca64dc12470\/master\/w_1024,c_limit\/original&#8221;},{&#8220;height&#8221;:1365,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cadbc8afdca64dc12470\/master\/w_2048,c_limit\/original&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cadbc8afdca64dc12470\/master\/w_1280,c_limit\/original&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cadbc8afdca64dc12470\/master\/w_1280,c_limit\/original&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"LAmour Fou\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cadbc8afdca64dc12470\/master\/w_1024%2Cc_limit\/original\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Rex<\/p>\n<h2><span><em>L\u2019Amour Fou<\/em> (2010)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p><em>L\u2019Amour Fou<\/em> explores the life of the man behind the Yves Saint Laurent label, focusing in particular on the relationship between the designer and his partner Pierre Berg\u00e9.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"66be8908b18f7f8279515964\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Very Ralph<\/em> (2019)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be8908b18f7f8279515964&#8243;,&#8221;index&#8221;:15,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Ralph Lauren Adult Person Clothing Hat Accessories Formal Wear Tie Furniture Table and Footwear&#8221;,&#8221;caption&#8221;:&#8221;Director Susan Lacy charts the trajectory of designer Ralph Lauren from a kid from the Bronx to one of American fashion\u2019s most iconic, recognizable, and enduring names.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Susan Wood\/Getty Images&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:212,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8908b18f7f8279515964\/master\/w_320,c_limit\/158382096&#8243;},{&#8220;height&#8221;:425,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8908b18f7f8279515964\/master\/w_640,c_limit\/158382096&#8243;}],&#8221;md&#8221;:[{&#8220;height&#8221;:425,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8908b18f7f8279515964\/master\/w_640,c_limit\/158382096&#8243;},{&#8220;height&#8221;:850,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8908b18f7f8279515964\/master\/w_1280,c_limit\/158382096&#8243;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:680,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8908b18f7f8279515964\/master\/w_1024,c_limit\/158382096&#8243;},{&#8220;height&#8221;:1359,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8908b18f7f8279515964\/master\/w_2048,c_limit\/158382096&#8243;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:850,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8908b18f7f8279515964\/master\/w_1280,c_limit\/158382096&#8243;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:850,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8908b18f7f8279515964\/master\/w_1280,c_limit\/158382096&#8243;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Ralph Lauren Adult Person Clothing Hat Accessories Formal Wear Tie Furniture Table and Footwear\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be8908b18f7f8279515964\/master\/w_1024%2Cc_limit\/158382096\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Susan Wood\/Getty Images<\/p>\n<h2><span><em>Very Ralph<\/em> (2019)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Director Susan Lacy charts the trajectory of designer Ralph Lauren from a kid from the Bronx to one of American fashion\u2019s most iconic, recognizable, and enduring names.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc1993f3f995912e228d\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Halston<\/em> (2019)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1993f3f995912e228d&#8221;,&#8221;index&#8221;:16,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;American designer Halston is responsible for producing some of the most enduring ensembles of the 70s his louche&#8230;&#8221;,&#8221;caption&#8221;:&#8221;American designer Halston is responsible for producing some of the most enduring ensembles of the \u201970s: his louche silhouettes, bias-cut draped sequins and fluid fabrics were the uniform of Liza Minnelli, Bianca Jagger, and Anjelica Huston as they strutted through New York\u2019s disco era. Not to mention, he was one of the instrumental designers who traveled to participate in the famous showdown between French and American fashion, now known as The Battle of Versailles. And then, in 1983, the designer created a collection for JC Penney which led to a change in the industry\u2019s perception of him. 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Not to mention, he was one of the instrumental designers who traveled to participate in the famous showdown between French and American fashion, now known as The Battle of Versailles. And then, in 1983, the designer created a collection for JC Penney which led to a change in the industry\u2019s perception of him. 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Accompanied by filmmaker Anissa Bonnefont, he accesses his adoption file and makes a series of startling discoveries, including the fact that he isn\u2019t (as he\u2019d always assumed) mixed race. 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Accompanied by filmmaker Anissa Bonnefont, he accesses his adoption file and makes a series of startling discoveries, including the fact that he isn\u2019t (as he\u2019d always assumed) mixed race. It\u2019s an intimate portrait of a designer who became synonymous with the gloss and glamour of Balmain, but behind it all is driven by the very real desire to connect with his origin story.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc215fd222fffda7da98\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>The Director: An Evolution in Three Acts<\/em> (2013)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc215fd222fffda7da98&#8243;,&#8221;index&#8221;:18,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Before Alessandro Michele Gucci was under the direction of Frida Giannini who presided over the Italian house between&#8230;&#8221;,&#8221;caption&#8221;:&#8221;Before Alessandro Michele, Gucci was under the direction of Frida Giannini, who presided over the Italian house between 2006 and 2014. <em>The Director<\/em> follows the famously press-shy designer, exploring Frida\u2019s Gucci over the course of three collections.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc215fd222fffda7da98\/master\/w_320,c_limit\/w1500_1087145.jpg&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc215fd222fffda7da98\/master\/w_640,c_limit\/w1500_1087145.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc215fd222fffda7da98\/master\/w_640,c_limit\/w1500_1087145.jpg&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc215fd222fffda7da98\/master\/w_1280,c_limit\/w1500_1087145.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc215fd222fffda7da98\/master\/w_1024,c_limit\/w1500_1087145.jpg&#8221;},{&#8220;height&#8221;:1151,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc215fd222fffda7da98\/master\/w_2048,c_limit\/w1500_1087145.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc215fd222fffda7da98\/master\/w_1280,c_limit\/w1500_1087145.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc215fd222fffda7da98\/master\/w_1280,c_limit\/w1500_1087145.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Before Alessandro Michele Gucci was under the direction of Frida Giannini who presided over the Italian house between...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc215fd222fffda7da98\/master\/w_1024%2Cc_limit\/w1500_1087145.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<h2><span><em>The Director: An Evolution in Three Acts<\/em> (2013)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Before Alessandro Michele, Gucci was under the direction of Frida Giannini, who presided over the Italian house between 2006 and 2014. <em>The Director<\/em> follows the famously press-shy designer, exploring Frida\u2019s Gucci over the course of three collections.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cbe1497ebd2e08d402d0\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>7 Days Out<\/em> (2018)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cbe1497ebd2e08d402d0&#8243;,&#8221;index&#8221;:19,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Netflixs 7 Days Out focuses on the week leading up to Chanels spring 2018 couture collection and sees Karl Lagerfeld at&#8230;&#8221;,&#8221;caption&#8221;:&#8221;<a href=\"https:\/\/www.vogue.co.uk\/gallery\/new-to-netflix\">Netflix\u2019<\/a>s <em>7 Days Out<\/em> focuses on the week leading up to Chanel\u2019s spring 2018 couture collection and sees Karl Lagerfeld at work through fittings, castings and backstage at the Grand Palais on show day.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Courtesy of Netflix&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbe1497ebd2e08d402d0\/master\/w_320,c_limit\/7_Days_Out_S01E05_23m55s34426f.jpg&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbe1497ebd2e08d402d0\/master\/w_640,c_limit\/7_Days_Out_S01E05_23m55s34426f.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbe1497ebd2e08d402d0\/master\/w_640,c_limit\/7_Days_Out_S01E05_23m55s34426f.jpg&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbe1497ebd2e08d402d0\/master\/w_1280,c_limit\/7_Days_Out_S01E05_23m55s34426f.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbe1497ebd2e08d402d0\/master\/w_1024,c_limit\/7_Days_Out_S01E05_23m55s34426f.jpg&#8221;},{&#8220;height&#8221;:1152,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbe1497ebd2e08d402d0\/master\/w_2048,c_limit\/7_Days_Out_S01E05_23m55s34426f.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbe1497ebd2e08d402d0\/master\/w_1280,c_limit\/7_Days_Out_S01E05_23m55s34426f.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cbe1497ebd2e08d402d0\/master\/w_1280,c_limit\/7_Days_Out_S01E05_23m55s34426f.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Netflixs 7 Days Out focuses on the week leading up to Chanels spring 2018 couture collection and sees Karl Lagerfeld at...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cbe1497ebd2e08d402d0\/master\/w_1024%2Cc_limit\/7_Days_Out_S01E05_23m55s34426f.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Courtesy of Netflix<\/p>\n<h2><span><em>7 Days Out<\/em> (2018)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p><a href=\"https:\/\/www.vogue.co.uk\/gallery\/new-to-netflix\">Netflix\u2019<\/a>s <em>7 Days Out<\/em> focuses on the week leading up to Chanel\u2019s spring 2018 couture collection and sees Karl Lagerfeld at work through fittings, castings and backstage at the Grand Palais on show day.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"66be89d6b18f7f8279515966\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>The Look<\/em> (1992)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be89d6b18f7f8279515966&#8243;,&#8221;index&#8221;:20,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Carla Bruni Linda Evangelista Karen Mulder Adult Person Wedding Accessories Jewelry and Necklace&#8221;,&#8221;caption&#8221;:&#8221;<em>The Look<\/em> is a BBC-produced six-episode docu-series that takes a behind-the-scenes look into the fashion world, focusing on designers (Yves Saint Laurent has an episode dedicated to him), the power of the press, the business of fragrance, and the runway show, among other topics, explored through archival footage and a deliciously anthropological voiceover.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Foc Kan&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:214,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be89d6b18f7f8279515966\/master\/w_320,c_limit\/79578329&#8243;},{&#8220;height&#8221;:428,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be89d6b18f7f8279515966\/master\/w_640,c_limit\/79578329&#8243;}],&#8221;md&#8221;:[{&#8220;height&#8221;:428,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be89d6b18f7f8279515966\/master\/w_640,c_limit\/79578329&#8243;},{&#8220;height&#8221;:855,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be89d6b18f7f8279515966\/master\/w_1280,c_limit\/79578329&#8243;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:684,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be89d6b18f7f8279515966\/master\/w_1024,c_limit\/79578329&#8243;},{&#8220;height&#8221;:1368,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be89d6b18f7f8279515966\/master\/w_2048,c_limit\/79578329&#8243;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:855,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be89d6b18f7f8279515966\/master\/w_1280,c_limit\/79578329&#8243;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:855,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be89d6b18f7f8279515966\/master\/w_1280,c_limit\/79578329&#8243;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Carla Bruni Linda Evangelista Karen Mulder Adult Person Wedding Accessories Jewelry and Necklace\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be89d6b18f7f8279515966\/master\/w_1024%2Cc_limit\/79578329\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Foc Kan<\/p>\n<h2><span><em>The Look<\/em> (1992)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p><em>The Look<\/em> is a BBC-produced six-episode docu-series that takes a behind-the-scenes look into the fashion world, focusing on designers (Yves Saint Laurent has an episode dedicated to him), the power of the press, the business of fragrance, and the runway show, among other topics, explored through archival footage and a deliciously anthropological voiceover.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc1a0cb6fa40073254f5\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>House of Cardin<\/em> (2019)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1a0cb6fa40073254f5&#8243;,&#8221;index&#8221;:21,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Fashion legend Pierre Cardin is the subject of this P David Ebersole and Todd Hughes project. 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At 97, he was witty, warm, and fiercely forward-looking, still the greatest ambassador for his own brand of whimsical 1960s futurism.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:176,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1a0cb6fa40073254f5\/master\/w_320,c_limit\/MCDHOO2_EC013.jpg&#8221;},{&#8220;height&#8221;:353,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1a0cb6fa40073254f5\/master\/w_640,c_limit\/MCDHOO2_EC013.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:353,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1a0cb6fa40073254f5\/master\/w_640,c_limit\/MCDHOO2_EC013.jpg&#8221;},{&#8220;height&#8221;:706,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1a0cb6fa40073254f5\/master\/w_1280,c_limit\/MCDHOO2_EC013.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:565,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1a0cb6fa40073254f5\/master\/w_1024,c_limit\/MCDHOO2_EC013.jpg&#8221;},{&#8220;height&#8221;:1129,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1a0cb6fa40073254f5\/master\/w_2048,c_limit\/MCDHOO2_EC013.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:706,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1a0cb6fa40073254f5\/master\/w_1280,c_limit\/MCDHOO2_EC013.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:706,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1a0cb6fa40073254f5\/master\/w_1280,c_limit\/MCDHOO2_EC013.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Fashion legend Pierre Cardin is the subject of this P David Ebersole and Todd Hughes project. It reflects on the French...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc1a0cb6fa40073254f5\/master\/w_1024%2Cc_limit\/MCDHOO2_EC013.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<h2><span><em>House of Cardin<\/em> (2019)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Fashion legend Pierre Cardin is the subject of this P David Ebersole and Todd Hughes project. It reflects on the French mogul\u2019s impact on the industry, examining his collaborations with Christian Dior (Cardin worked on the New Look collection of 1947), his pioneering Space Age designs, and his desire to democratize fashion through ready-to-wear and licensing. There are cameos from Naomi Campbell, Jean Paul Gaultier, and Sharon Stone, who praise Cardin\u2019s remarkable vision, but the film is anchored by frank interviews with the man himself. At 97, he was witty, warm, and fiercely forward-looking, still the greatest ambassador for his own brand of whimsical 1960s futurism.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc21fc6b153474b9c7d4\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Jeremy Scott: The People\u2019s Designer<\/em> (2015)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc21fc6b153474b9c7d4&#8243;,&#8221;index&#8221;:22,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;The Peoples Designer tells Jeremy Scotts Cinderella story from smalltown Missouri to his then role as creative director&#8230;&#8221;,&#8221;caption&#8221;:&#8221;<em>The People\u2019s Designer<\/em> tells Jeremy Scott\u2019s Cinderella story, from small-town Missouri to his then role as creative director of Moschino. Watch out for cameos from a host of his celeb super-fans, including Miley Cyrus, Rita Ora, Katy Perry, and the Hilton sisters.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc21fc6b153474b9c7d4\/master\/w_320,c_limit\/The%20People_s%20Designer%20ProRes%20HQ.mov.01_44_39_17.Still006.png&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc21fc6b153474b9c7d4\/master\/w_640,c_limit\/The%20People_s%20Designer%20ProRes%20HQ.mov.01_44_39_17.Still006.png&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc21fc6b153474b9c7d4\/master\/w_640,c_limit\/The%20People_s%20Designer%20ProRes%20HQ.mov.01_44_39_17.Still006.png&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc21fc6b153474b9c7d4\/master\/w_1280,c_limit\/The%20People_s%20Designer%20ProRes%20HQ.mov.01_44_39_17.Still006.png&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc21fc6b153474b9c7d4\/master\/w_1024,c_limit\/The%20People_s%20Designer%20ProRes%20HQ.mov.01_44_39_17.Still006.png&#8221;},{&#8220;height&#8221;:1152,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc21fc6b153474b9c7d4\/master\/w_2048,c_limit\/The%20People_s%20Designer%20ProRes%20HQ.mov.01_44_39_17.Still006.png&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc21fc6b153474b9c7d4\/master\/w_1280,c_limit\/The%20People_s%20Designer%20ProRes%20HQ.mov.01_44_39_17.Still006.png&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc21fc6b153474b9c7d4\/master\/w_1280,c_limit\/The%20People_s%20Designer%20ProRes%20HQ.mov.01_44_39_17.Still006.png&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"The Peoples Designer tells Jeremy Scotts Cinderella story from smalltown Missouri to his then role as creative director...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc21fc6b153474b9c7d4\/master\/w_1024%2Cc_limit\/The%2520People_s%2520Designer%2520ProRes%2520HQ.mov.01_44_39_17.Still006.png\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<h2><span><em>Jeremy Scott: The People\u2019s Designer<\/em> (2015)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p><em>The People\u2019s Designer<\/em> tells Jeremy Scott\u2019s Cinderella story, from small-town Missouri to his then role as creative director of Moschino. Watch out for cameos from a host of his celeb super-fans, including Miley Cyrus, Rita Ora, Katy Perry, and the Hilton sisters.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"6537cc210cb6fa40073254f7\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>The Boy Who Made Shoes For Lizards<\/em> (2017)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc210cb6fa40073254f7&#8243;,&#8221;index&#8221;:23,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;The Boy Who Made Shoes For Lizards follows one of fashions most acclaimed shoemakers Manolo Blahnik as his business&#8230;&#8221;,&#8221;caption&#8221;:&#8221;<em>The Boy Who Made Shoes For Lizards<\/em> follows one of fashion\u2019s most acclaimed shoemakers, Manolo Blahnik, as his business flourishes. With a who\u2019s who of the fashion industry\u2014Rihanna, Naomi Campbell, John Galliano, Karlie Kloss\u2014singing his praises, it\u2019s a must-watch for anyone who owns (or dreams of owning) Manolos.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Everett Collection \/ Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc210cb6fa40073254f7\/master\/w_320,c_limit\/MCDMATH_EC073.jpg&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc210cb6fa40073254f7\/master\/w_640,c_limit\/MCDMATH_EC073.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc210cb6fa40073254f7\/master\/w_640,c_limit\/MCDMATH_EC073.jpg&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc210cb6fa40073254f7\/master\/w_1280,c_limit\/MCDMATH_EC073.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc210cb6fa40073254f7\/master\/w_1024,c_limit\/MCDMATH_EC073.jpg&#8221;},{&#8220;height&#8221;:1152,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc210cb6fa40073254f7\/master\/w_2048,c_limit\/MCDMATH_EC073.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc210cb6fa40073254f7\/master\/w_1280,c_limit\/MCDMATH_EC073.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc210cb6fa40073254f7\/master\/w_1280,c_limit\/MCDMATH_EC073.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"The Boy Who Made Shoes For Lizards follows one of fashions most acclaimed shoemakers Manolo Blahnik as his business...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc210cb6fa40073254f7\/master\/w_1024%2Cc_limit\/MCDMATH_EC073.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Everett Collection \/ Everett Collection<\/p>\n<h2><span><em>The Boy Who Made Shoes For Lizards<\/em> (2017)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p><em>The Boy Who Made Shoes For Lizards<\/em> follows one of fashion\u2019s most acclaimed shoemakers, Manolo Blahnik, as his business flourishes. With a who\u2019s who of the fashion industry\u2014Rihanna, Naomi Campbell, John Galliano, Karlie Kloss\u2014singing his praises, it\u2019s a must-watch for anyone who owns (or dreams of owning) Manolos.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc206d4e2a3ba7b0f682\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Catwalk<\/em> (1995)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc206d4e2a3ba7b0f682&#8243;,&#8221;index&#8221;:24,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;From backstage at Versace in Milan to jetsetting to Chanel in Paris Catwalk followers supermodel Christy Turlington over&#8230;&#8221;,&#8221;caption&#8221;:&#8221;From backstage at Versace in Milan to jetsetting to Chanel in Paris, <em>Catwalk<\/em> followers supermodel Christy Turlington over the course of the spring 1994 shows. While Turlington is the centerpiece of the documentary, the film also offers insight on the early years of a generational cohort of models including Kate Moss and Helena Christensen as they made names for themselves working with legendary designers like John Galliano and Gianni Versace.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;\u00a9Arrow Releasing\/Courtesy Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:203,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc206d4e2a3ba7b0f682\/master\/w_320,c_limit\/MSDCATW_EC022.jpg&#8221;},{&#8220;height&#8221;:407,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc206d4e2a3ba7b0f682\/master\/w_640,c_limit\/MSDCATW_EC022.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:407,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc206d4e2a3ba7b0f682\/master\/w_640,c_limit\/MSDCATW_EC022.jpg&#8221;},{&#8220;height&#8221;:814,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc206d4e2a3ba7b0f682\/master\/w_1280,c_limit\/MSDCATW_EC022.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:651,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc206d4e2a3ba7b0f682\/master\/w_1024,c_limit\/MSDCATW_EC022.jpg&#8221;},{&#8220;height&#8221;:1302,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc206d4e2a3ba7b0f682\/master\/w_2048,c_limit\/MSDCATW_EC022.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:814,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc206d4e2a3ba7b0f682\/master\/w_1280,c_limit\/MSDCATW_EC022.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:814,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc206d4e2a3ba7b0f682\/master\/w_1280,c_limit\/MSDCATW_EC022.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"From backstage at Versace in Milan to jetsetting to Chanel in Paris Catwalk followers supermodel Christy Turlington over...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc206d4e2a3ba7b0f682\/master\/w_1024%2Cc_limit\/MSDCATW_EC022.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>\u00a9Arrow Releasing\/Courtesy Everett Collection<\/p>\n<h2><span><em>Catwalk<\/em> (1995)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>From backstage at Versace in Milan to jetsetting to Chanel in Paris, <em>Catwalk<\/em> followers supermodel Christy Turlington over the course of the spring 1994 shows. While Turlington is the centerpiece of the documentary, the film also offers insight on the early years of a generational cohort of models including Kate Moss and Helena Christensen as they made names for themselves working with legendary designers like John Galliano and Gianni Versace.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"66be85e52e45b8ba7ebd4b20\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>The Super Models<\/em> (2023)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be85e52e45b8ba7ebd4b20&#8243;,&#8221;index&#8221;:25,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Person Adult Clothing Footwear Shoe Hat Electrical Device Microphone Electronics and Accessories&#8221;,&#8221;caption&#8221;:&#8221;You know their names: Linda, Christy, Naomi, and Cindy. Beginning in the early \u201980s, <em>The Super Models<\/em> captures their seemingly meteoric rise to the forefront of fashion\u2019s most glamorous runways. The four-part mini series traces the evolution of their lives and careers as they transitioned into entrepreneurs, activists, humanitarians, and mothers.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Courtesy of Apple TV+&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be85e52e45b8ba7ebd4b20\/master\/w_320,c_limit\/The_Super_Models_Photo_010402.jpg&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be85e52e45b8ba7ebd4b20\/master\/w_640,c_limit\/The_Super_Models_Photo_010402.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be85e52e45b8ba7ebd4b20\/master\/w_640,c_limit\/The_Super_Models_Photo_010402.jpg&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be85e52e45b8ba7ebd4b20\/master\/w_1280,c_limit\/The_Super_Models_Photo_010402.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be85e52e45b8ba7ebd4b20\/master\/w_1024,c_limit\/The_Super_Models_Photo_010402.jpg&#8221;},{&#8220;height&#8221;:1152,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be85e52e45b8ba7ebd4b20\/master\/w_2048,c_limit\/The_Super_Models_Photo_010402.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be85e52e45b8ba7ebd4b20\/master\/w_1280,c_limit\/The_Super_Models_Photo_010402.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be85e52e45b8ba7ebd4b20\/master\/w_1280,c_limit\/The_Super_Models_Photo_010402.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Person Adult Clothing Footwear Shoe Hat Electrical Device Microphone Electronics and Accessories\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be85e52e45b8ba7ebd4b20\/master\/w_1024%2Cc_limit\/The_Super_Models_Photo_010402.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Courtesy of Apple TV+<\/p>\n<h2><span><em>The Super Models<\/em> (2023)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>You know their names: Linda, Christy, Naomi, and Cindy. Beginning in the early \u201980s, <em>The Super Models<\/em> captures their seemingly meteoric rise to the forefront of fashion\u2019s most glamorous runways. The four-part mini series traces the evolution of their lives and careers as they transitioned into entrepreneurs, activists, humanitarians, and mothers.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"66be881bdaa5a1818932d0ba\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"portrait\" data-item=\"{\"dangerousHed\":\"<em>Bethann Hardison: Invisible Beauty<\/em> (2023)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be881bdaa5a1818932d0ba&#8221;,&#8221;index&#8221;:26,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Zendaya Iman Tyson Beckford Veronica Webb Tyra Banks Advertisement Poster Adult and Person&#8221;,&#8221;caption&#8221;:&#8221;Bethann Hardison is one of fashion\u2019s most beloved faces, and one of its most important iconoclasts. 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The model-turned-model agent-turned-advocate and activist has seen it all and been in every room, and this portrait\u2014well, self-portrait, given that Hardison co-wrote and co-directed the feature with Fr\u00e9d\u00e9ric Tcheng of <em>Dior &#038; I<\/em> and <em>The Eye Has to Travel<\/em>\u2014showcases Hardison at her very best, as a leader and culture-maker.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc150e6291a5da1ee7df\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Bill Cunningham: New York<\/em> (2010)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc150e6291a5da1ee7df&#8221;,&#8221;index&#8221;:27,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Bill Cunningham New York shows the late photographer and longtime New York Times contributor at work. The original&#8230;&#8221;,&#8221;caption&#8221;:&#8221;<em>Bill Cunningham: New York<\/em> shows the late photographer and longtime <em>New York Times<\/em> contributor at work. The original street-style snapper, Cunningham made his name photographing the colorful streets of New York, getting around the city via his trademark bicycle. He was a photographer beloved by all; indeed, as Anna Wintour explains in the film, \u201cwe all get dressed for Bill.\u201d&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;\u00a9Zeitgeist Films\/Courtesy Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:179,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc150e6291a5da1ee7df\/master\/w_320,c_limit\/MCDBICU_EC010.jpg&#8221;},{&#8220;height&#8221;:358,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc150e6291a5da1ee7df\/master\/w_640,c_limit\/MCDBICU_EC010.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:358,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc150e6291a5da1ee7df\/master\/w_640,c_limit\/MCDBICU_EC010.jpg&#8221;},{&#8220;height&#8221;:716,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc150e6291a5da1ee7df\/master\/w_1280,c_limit\/MCDBICU_EC010.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:573,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc150e6291a5da1ee7df\/master\/w_1024,c_limit\/MCDBICU_EC010.jpg&#8221;},{&#8220;height&#8221;:1145,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc150e6291a5da1ee7df\/master\/w_2048,c_limit\/MCDBICU_EC010.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:716,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc150e6291a5da1ee7df\/master\/w_1280,c_limit\/MCDBICU_EC010.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:716,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc150e6291a5da1ee7df\/master\/w_1280,c_limit\/MCDBICU_EC010.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Bill Cunningham New York shows the late photographer and longtime New York Times contributor at work. The original...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc150e6291a5da1ee7df\/master\/w_1024%2Cc_limit\/MCDBICU_EC010.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>\u00a9Zeitgeist Films\/Courtesy Everett Collection<\/p>\n<h2><span><em>Bill Cunningham: New York<\/em> (2010)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p><em>Bill Cunningham: New York<\/em> shows the late photographer and longtime <em>New York Times<\/em> contributor at work. 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He was a photographer beloved by all; indeed, as Anna Wintour explains in the film, \u201cwe all get dressed for Bill.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc1eada19e4435ab6370\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Helmut Newton: The Bad And The Beautiful<\/em> (2020)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1eada19e4435ab6370&#8243;,&#8221;index&#8221;:28,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Helmut Newtons subjects including Claudia Schiffer Grace Jones and Marianne Faithfull share their firsthand experiences&#8230;&#8221;,&#8221;caption&#8221;:&#8221;Helmut Newton\u2019s subjects, including Claudia Schiffer, Grace Jones, and Marianne Faithfull, share their first-hand experiences of working with the late German photographer on some of fashion\u2019s most powerful\u2014and often controversial\u2014imagery. Discover the inspiration, the execution, and the lasting impact of Newton\u2019s trailblazing work.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;\u00a9Kino International\/Courtesy Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:166,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1eada19e4435ab6370\/master\/w_320,c_limit\/MCDHENE_KI003.jpg&#8221;},{&#8220;height&#8221;:331,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1eada19e4435ab6370\/master\/w_640,c_limit\/MCDHENE_KI003.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:331,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1eada19e4435ab6370\/master\/w_640,c_limit\/MCDHENE_KI003.jpg&#8221;},{&#8220;height&#8221;:663,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1eada19e4435ab6370\/master\/w_1280,c_limit\/MCDHENE_KI003.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:530,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1eada19e4435ab6370\/master\/w_1024,c_limit\/MCDHENE_KI003.jpg&#8221;},{&#8220;height&#8221;:1060,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1eada19e4435ab6370\/master\/w_2048,c_limit\/MCDHENE_KI003.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:663,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1eada19e4435ab6370\/master\/w_1280,c_limit\/MCDHENE_KI003.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:663,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1eada19e4435ab6370\/master\/w_1280,c_limit\/MCDHENE_KI003.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Helmut Newtons subjects including Claudia Schiffer Grace Jones and Marianne Faithfull share their firsthand experiences...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc1eada19e4435ab6370\/master\/w_1024%2Cc_limit\/MCDHENE_KI003.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>\u00a9Kino International\/Courtesy Everett Collection<\/p>\n<h2><span><em>Helmut Newton: The Bad And The Beautiful<\/em> (2020)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Helmut Newton\u2019s subjects, including Claudia Schiffer, Grace Jones, and Marianne Faithfull, share their first-hand experiences of working with the late German photographer on some of fashion\u2019s most powerful\u2014and often controversial\u2014imagery. Discover the inspiration, the execution, and the lasting impact of Newton\u2019s trailblazing work.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"6537cc1576efab7d10e5664a\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Calendar Girl<\/em> (2020)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1576efab7d10e5664a&#8221;,&#8221;index&#8221;:29,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Ruth Finleys contribution to fashion cant be overstated. In 1945 the American businesswoman founded the Fashion Calendar&#8230;&#8221;,&#8221;caption&#8221;:&#8221;Ruth Finley\u2019s contribution to fashion can\u2019t be overstated. In 1945, the American businesswoman founded the Fashion Calendar, the first resource of its kind for scheduling shows and press appointments in New York. Even as the city\u2019s Fashion Week grew, moving from Bryant Park to Lincoln Center, Finley was still hard at work resolving conflicts, advising designers, and nurturing new talent (she continued until 2014, when the calendar was acquired by the CFDA). Christian D Bruun\u2019s touching documentary is an assessment of her legacy in the wake of her death in 2018\u2014and a fitting tribute to one of the industry\u2019s most formidable, and often overlooked, matriarchs.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Courtesy Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:143,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1576efab7d10e5664a\/master\/w_320,c_limit\/MCDCAGI_EC050.jpg&#8221;},{&#8220;height&#8221;:286,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1576efab7d10e5664a\/master\/w_640,c_limit\/MCDCAGI_EC050.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:286,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1576efab7d10e5664a\/master\/w_640,c_limit\/MCDCAGI_EC050.jpg&#8221;},{&#8220;height&#8221;:572,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1576efab7d10e5664a\/master\/w_1280,c_limit\/MCDCAGI_EC050.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:458,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1576efab7d10e5664a\/master\/w_1024,c_limit\/MCDCAGI_EC050.jpg&#8221;},{&#8220;height&#8221;:915,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1576efab7d10e5664a\/master\/w_2048,c_limit\/MCDCAGI_EC050.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:572,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1576efab7d10e5664a\/master\/w_1280,c_limit\/MCDCAGI_EC050.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:572,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1576efab7d10e5664a\/master\/w_1280,c_limit\/MCDCAGI_EC050.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Ruth Finleys contribution to fashion cant be overstated. In 1945 the American businesswoman founded the Fashion Calendar...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc1576efab7d10e5664a\/master\/w_1024%2Cc_limit\/MCDCAGI_EC050.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Courtesy Everett Collection<\/p>\n<h2><span><em>Calendar Girl<\/em> (2020)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Ruth Finley\u2019s contribution to fashion can\u2019t be overstated. In 1945, the American businesswoman founded the Fashion Calendar, the first resource of its kind for scheduling shows and press appointments in New York. Even as the city\u2019s Fashion Week grew, moving from Bryant Park to Lincoln Center, Finley was still hard at work resolving conflicts, advising designers, and nurturing new talent (she continued until 2014, when the calendar was acquired by the CFDA). Christian D Bruun\u2019s touching documentary is an assessment of her legacy in the wake of her death in 2018\u2014and a fitting tribute to one of the industry\u2019s most formidable, and often overlooked, matriarchs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"66be8a077c7c8d626983770a\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>The First Monday in May<\/em> (2016)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be8a077c7c8d626983770a&#8221;,&#8221;index&#8221;:30,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Person Adult Wedding Clothing Dress Art Painting Dancing and Leisure Activities&#8221;,&#8221;caption&#8221;:&#8221;Director Andrew Rossi takes on the challenge of documenting the mysterious yet enchanting process of putting together both the Met Gala and the exhibition it celebrates, in this case 2015\u2019s \u201cChina: Through The Looking Glass.\u201d Rossi focuses largely on the role of Andrew Bolton, who is under pressure to deliver a knockout exhibition with the success of \u201cAlexander McQueen: Savage Beauty\u201d looming over his shoulder. <em>The First Monday in May<\/em> is equal parts a riveting examination of what happens behind closed doors ahead of the Met Gala and a compelling analysis of why the work of Bolton and his team at the Metropolitan Museum of Art is crucial to expanding our understanding of fashion as an anthropological tool.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;\u00a9Magnolia Pictures\/Courtesy Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a077c7c8d626983770a\/master\/w_320,c_limit\/MCDFIMO_EC003.jpg&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a077c7c8d626983770a\/master\/w_640,c_limit\/MCDFIMO_EC003.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a077c7c8d626983770a\/master\/w_640,c_limit\/MCDFIMO_EC003.jpg&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a077c7c8d626983770a\/master\/w_1280,c_limit\/MCDFIMO_EC003.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a077c7c8d626983770a\/master\/w_1024,c_limit\/MCDFIMO_EC003.jpg&#8221;},{&#8220;height&#8221;:1152,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a077c7c8d626983770a\/master\/w_2048,c_limit\/MCDFIMO_EC003.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a077c7c8d626983770a\/master\/w_1280,c_limit\/MCDFIMO_EC003.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8a077c7c8d626983770a\/master\/w_1280,c_limit\/MCDFIMO_EC003.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Person Adult Wedding Clothing Dress Art Painting Dancing and Leisure Activities\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be8a077c7c8d626983770a\/master\/w_1024%2Cc_limit\/MCDFIMO_EC003.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>\u00a9Magnolia Pictures\/Courtesy Everett Collection<\/p>\n<h2><span><em>The First Monday in May<\/em> (2016)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Director Andrew Rossi takes on the challenge of documenting the mysterious yet enchanting process of putting together both the Met Gala and the exhibition it celebrates, in this case 2015\u2019s \u201cChina: Through The Looking Glass.\u201d Rossi focuses largely on the role of Andrew Bolton, who is under pressure to deliver a knockout exhibition with the success of \u201cAlexander McQueen: Savage Beauty\u201d looming over his shoulder. <em>The First Monday in May<\/em> is equal parts a riveting examination of what happens behind closed doors ahead of the Met Gala and a compelling analysis of why the work of Bolton and his team at the Metropolitan Museum of Art is crucial to expanding our understanding of fashion as an anthropological tool.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc1f76efab7d10e5664e\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>The September Issue<\/em> (2009)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1f76efab7d10e5664e&#8221;,&#8221;index&#8221;:31,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;The aptlynamed documentary follows the making of American Vogues 2007 September issue traditionally the most important&#8230;&#8221;,&#8221;caption&#8221;:&#8221;The aptly-named documentary follows the making of American <em>Vogue<\/em>\u2019s 2007 September issue, traditionally the most important issue of the year (that particular issue remains US <em>Vogue<\/em>\u2019s largest to date). At the time, the documentary gave the public unprecedented access to the inner workings of <em>Vogue<\/em>. Although it\u2019s intriguing watching Anna Wintour hard at work, it\u2019s Grace Coddington, the magazine\u2019s former creative director, who really steals the show, her flame-red hair and steadfast passion for imagery and clothes making her an icon for the times. A timely watch while we wait for the release of <em>The Devil Wears Prada 2<\/em>.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;\u00a9Roadside Attractions\/Courtesy Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:222,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f76efab7d10e5664e\/master\/w_320,c_limit\/MCDSEIS_EC024.jpg&#8221;},{&#8220;height&#8221;:443,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f76efab7d10e5664e\/master\/w_640,c_limit\/MCDSEIS_EC024.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:443,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f76efab7d10e5664e\/master\/w_640,c_limit\/MCDSEIS_EC024.jpg&#8221;},{&#8220;height&#8221;:886,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f76efab7d10e5664e\/master\/w_1280,c_limit\/MCDSEIS_EC024.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:709,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f76efab7d10e5664e\/master\/w_1024,c_limit\/MCDSEIS_EC024.jpg&#8221;},{&#8220;height&#8221;:1418,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f76efab7d10e5664e\/master\/w_2048,c_limit\/MCDSEIS_EC024.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:886,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f76efab7d10e5664e\/master\/w_1280,c_limit\/MCDSEIS_EC024.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:886,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1f76efab7d10e5664e\/master\/w_1280,c_limit\/MCDSEIS_EC024.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"The aptlynamed documentary follows the making of American Vogues 2007 September issue traditionally the most important...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc1f76efab7d10e5664e\/master\/w_1024%2Cc_limit\/MCDSEIS_EC024.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>\u00a9Roadside Attractions\/Courtesy Everett Collection<\/p>\n<h2><span><em>The September Issue<\/em> (2009)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>The aptly-named documentary follows the making of American <em>Vogue<\/em>\u2019s 2007 September issue, traditionally the most important issue of the year (that particular issue remains US <em>Vogue<\/em>\u2019s largest to date). At the time, the documentary gave the public unprecedented access to the inner workings of <em>Vogue<\/em>. Although it\u2019s intriguing watching Anna Wintour hard at work, it\u2019s Grace Coddington, the magazine\u2019s former creative director, who really steals the show, her flame-red hair and steadfast passion for imagery and clothes making her an icon for the times. A timely watch while we wait for the release of <em>The Devil Wears Prada 2<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"6537cc1567e5979360b4259b\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"portrait\" data-item=\"{\"dangerousHed\":\"<em>In Vogue: The Editor\u2019s Eye<\/em> (2015)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc1567e5979360b4259b&#8221;,&#8221;index&#8221;:32,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;A few years later the US Vogue editors returned to screens with In Vogue The Editors Eye commemorating the magazines&#8230;&#8221;,&#8221;caption&#8221;:&#8221;A few years later, the US <em>Vogue<\/em> editors returned to screens with <em>In Vogue: The Editor\u2019s Eye<\/em>, commemorating the magazine\u2019s 120th anniversary. Rather than focusing on a specific issue, it takes a look at how some of the publication\u2019s most famous editorials came to life. As well as the editors, many famous faces that have contributed to the magazine\u2019s legacy make an appearance, with the film featuring interviews with design talents such as Marc Jacobs and Nicolas Ghesqui\u00e8re, and Hollywood stars including Sarah Jessica Parker and Nicole Kidman.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Stephen Lovekin&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:481,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1567e5979360b4259b\/master\/w_320,c_limit\/In%20Vogue%20The%20Editor%E2%80%99s%20Eye.jpg&#8221;},{&#8220;height&#8221;:961,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1567e5979360b4259b\/master\/w_640,c_limit\/In%20Vogue%20The%20Editor%E2%80%99s%20Eye.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:961,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1567e5979360b4259b\/master\/w_640,c_limit\/In%20Vogue%20The%20Editor%E2%80%99s%20Eye.jpg&#8221;},{&#8220;height&#8221;:1923,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1567e5979360b4259b\/master\/w_1280,c_limit\/In%20Vogue%20The%20Editor%E2%80%99s%20Eye.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:1538,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1567e5979360b4259b\/master\/w_1024,c_limit\/In%20Vogue%20The%20Editor%E2%80%99s%20Eye.jpg&#8221;},{&#8220;height&#8221;:3077,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1567e5979360b4259b\/master\/w_2048,c_limit\/In%20Vogue%20The%20Editor%E2%80%99s%20Eye.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:1923,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1567e5979360b4259b\/master\/w_1280,c_limit\/In%20Vogue%20The%20Editor%E2%80%99s%20Eye.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:1923,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc1567e5979360b4259b\/master\/w_1280,c_limit\/In%20Vogue%20The%20Editor%E2%80%99s%20Eye.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"portrait\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"A few years later the US Vogue editors returned to screens with In Vogue The Editors Eye commemorating the magazines...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc1567e5979360b4259b\/master\/w_1024%2Cc_limit\/In%2520Vogue%2520The%2520Editor%25E2%2580%2599s%2520Eye.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Stephen Lovekin<\/p>\n<h2><span><em>In Vogue: The Editor\u2019s Eye<\/em> (2015)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>A few years later, the US <em>Vogue<\/em> editors returned to screens with <em>In Vogue: The Editor\u2019s Eye<\/em>, commemorating the magazine\u2019s 120th anniversary. Rather than focusing on a specific issue, it takes a look at how some of the publication\u2019s most famous editorials came to life. As well as the editors, many famous faces that have contributed to the magazine\u2019s legacy make an appearance, with the film featuring interviews with design talents such as Marc Jacobs and Nicolas Ghesqui\u00e8re, and Hollywood stars including Sarah Jessica Parker and Nicole Kidman.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"66be87ce77c05b4caf261240\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"portrait\" data-item=\"{\"dangerousHed\":\"<em>The Gospel According To Andr\u00e9<\/em> (2017)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be87ce77c05b4caf261240&#8243;,&#8221;index&#8221;:33,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Andr Leon Talley Advertisement Poster Clothing Hat Adult Person Face Head and Photography&#8221;,&#8221;caption&#8221;:&#8221;\u201cHe was so many things he wasn\u2019t supposed to be, and they couldn\u2019t get around it,\u201d expresses Whoopi Goldberg in <em>The Gospel According To Andr\u00e9,<\/em> the ultimate portrait of Andr\u00e9 Leon Talley, the iconic <em>Vogue<\/em> editor and fashion\u2019s biggest champion. From the beginning of his career at Andy Warhol\u2019s Factory in the 1970s to posts at <em>WWD<\/em>, <em>W<\/em>, and <em>Vogue<\/em>, this feature charts the career, and, most importantly, the enduring legacy of Leon Talley with insight by Andr\u00e9 himself in addition to Anna Wintour, Tom Ford, and Manolo Blahnik. A favorite tidbit? \u201cHe\u2019s the Nelson Mandela of couture, the Kofi Annan of what you got on,\u201d as said by will.i.am.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;\u00a9Magnolia Pictures \/ Everett Collection&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:473,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be87ce77c05b4caf261240\/master\/w_320,c_limit\/MCDGOAC_EC002.jpg&#8221;},{&#8220;height&#8221;:945,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be87ce77c05b4caf261240\/master\/w_640,c_limit\/MCDGOAC_EC002.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:945,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be87ce77c05b4caf261240\/master\/w_640,c_limit\/MCDGOAC_EC002.jpg&#8221;},{&#8220;height&#8221;:1890,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be87ce77c05b4caf261240\/master\/w_1280,c_limit\/MCDGOAC_EC002.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:1512,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be87ce77c05b4caf261240\/master\/w_1024,c_limit\/MCDGOAC_EC002.jpg&#8221;},{&#8220;height&#8221;:3024,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be87ce77c05b4caf261240\/master\/w_2048,c_limit\/MCDGOAC_EC002.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:1890,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be87ce77c05b4caf261240\/master\/w_1280,c_limit\/MCDGOAC_EC002.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:1890,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be87ce77c05b4caf261240\/master\/w_1280,c_limit\/MCDGOAC_EC002.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"portrait\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Andr Leon Talley Advertisement Poster Clothing Hat Adult Person Face Head and Photography\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be87ce77c05b4caf261240\/master\/w_1024%2Cc_limit\/MCDGOAC_EC002.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>\u00a9Magnolia Pictures \/ Everett Collection<\/p>\n<h2><span><em>The Gospel According To Andr\u00e9<\/em> (2017)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>\u201cHe was so many things he wasn\u2019t supposed to be, and they couldn\u2019t get around it,\u201d expresses Whoopi Goldberg in <em>The Gospel According To Andr\u00e9,<\/em> the ultimate portrait of Andr\u00e9 Leon Talley, the iconic <em>Vogue<\/em> editor and fashion\u2019s biggest champion. From the beginning of his career at Andy Warhol\u2019s Factory in the 1970s to posts at <em>WWD<\/em>, <em>W<\/em>, and <em>Vogue<\/em>, this feature charts the career, and, most importantly, the enduring legacy of Leon Talley with insight by Andr\u00e9 himself in addition to Anna Wintour, Tom Ford, and Manolo Blahnik. A favorite tidbit? \u201cHe\u2019s the Nelson Mandela of couture, the Kofi Annan of what you got on,\u201d as said by will.i.am.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc16f5a1ae18efc7c421\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Diana Vreeland: The Eye Has to Travel<\/em> (2011)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc16f5a1ae18efc7c421&#8243;,&#8221;index&#8221;:34,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Before editors were personalities before street style stars and bloggers were the trendsetters there was the vivacious&#8230;&#8221;,&#8221;caption&#8221;:&#8221;Before editors were personalities, before street style stars and bloggers were the trendsetters, there was the vivacious empress of fashion: Diana Vreeland, the editor who helped bring the industry into the modern age during the \u201960s. This film takes a look at her life, from society girl, to <em>Vogue<\/em> editor-in-chief, to mainspring behind the Costume Institute at the Metropolitan Museum of Art, telling the story of exactly how she became one of the most legendary fashion editors to date.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Fairchild Archive\/Getty Images&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:210,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc16f5a1ae18efc7c421\/master\/w_320,c_limit\/GettyImages-1461026116.jpg&#8221;},{&#8220;height&#8221;:420,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc16f5a1ae18efc7c421\/master\/w_640,c_limit\/GettyImages-1461026116.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:420,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc16f5a1ae18efc7c421\/master\/w_640,c_limit\/GettyImages-1461026116.jpg&#8221;},{&#8220;height&#8221;:840,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc16f5a1ae18efc7c421\/master\/w_1280,c_limit\/GettyImages-1461026116.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:672,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc16f5a1ae18efc7c421\/master\/w_1024,c_limit\/GettyImages-1461026116.jpg&#8221;},{&#8220;height&#8221;:1344,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc16f5a1ae18efc7c421\/master\/w_2048,c_limit\/GettyImages-1461026116.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:840,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc16f5a1ae18efc7c421\/master\/w_1280,c_limit\/GettyImages-1461026116.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:840,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc16f5a1ae18efc7c421\/master\/w_1280,c_limit\/GettyImages-1461026116.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Before editors were personalities before street style stars and bloggers were the trendsetters there was the vivacious...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc16f5a1ae18efc7c421\/master\/w_1024%2Cc_limit\/GettyImages-1461026116.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Fairchild Archive\/Getty Images<\/p>\n<h2><span><em>Diana Vreeland: The Eye Has to Travel<\/em> (2011)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Before editors were personalities, before street style stars and bloggers were the trendsetters, there was the vivacious empress of fashion: Diana Vreeland, the editor who helped bring the industry into the modern age during the \u201960s. This film takes a look at her life, from society girl, to <em>Vogue<\/em> editor-in-chief, to mainspring behind the Costume Institute at the Metropolitan Museum of Art, telling the story of exactly how she became one of the most legendary fashion editors to date.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"66be86d9862c49faeb867ba8\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Franca: Chaos &#038; Creation<\/em> (2016)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be86d9862c49faeb867ba8&#8243;,&#8221;index&#8221;:35,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Franca Sozzani Body Part Finger Hand Person Face Head Photography Portrait Adult and Wedding&#8221;,&#8221;caption&#8221;:&#8221;Directed by her son, Francesco Carrozzini, <em>Franca<\/em> documents the work of the legendary <em>Vogue<\/em> Italia editor Franca Sozzani. While the documentary features interviews with iconic names and Sozzani co-conspirators including Karl Lagerfeld, Baz Luhrmann, and Courtney Love, it is the tender portrait of her relationship with her son that makes this a unique portrait of one of fashion\u2019s true visionaries. It was released only a few months prior to Sozzani\u2019s passing in December of 2016, making it a true treasure of fashion media.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Vittorio Zunino Celotto\/Getty Images&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:213,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be86d9862c49faeb867ba8\/master\/w_320,c_limit\/598856054&#8243;},{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be86d9862c49faeb867ba8\/master\/w_640,c_limit\/598856054&#8243;}],&#8221;md&#8221;:[{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be86d9862c49faeb867ba8\/master\/w_640,c_limit\/598856054&#8243;},{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be86d9862c49faeb867ba8\/master\/w_1280,c_limit\/598856054&#8243;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:683,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be86d9862c49faeb867ba8\/master\/w_1024,c_limit\/598856054&#8243;},{&#8220;height&#8221;:1365,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be86d9862c49faeb867ba8\/master\/w_2048,c_limit\/598856054&#8243;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be86d9862c49faeb867ba8\/master\/w_1280,c_limit\/598856054&#8243;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be86d9862c49faeb867ba8\/master\/w_1280,c_limit\/598856054&#8243;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Franca Sozzani Body Part Finger Hand Person Face Head Photography Portrait Adult and Wedding\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be86d9862c49faeb867ba8\/master\/w_1024%2Cc_limit\/598856054\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Vittorio Zunino Celotto\/Getty Images<\/p>\n<h2><span><em>Franca: Chaos &#038; Creation<\/em> (2016)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Directed by her son, Francesco Carrozzini, <em>Franca<\/em> documents the work of the legendary <em>Vogue<\/em> Italia editor Franca Sozzani. While the documentary features interviews with iconic names and Sozzani co-conspirators including Karl Lagerfeld, Baz Luhrmann, and Courtney Love, it is the tender portrait of her relationship with her son that makes this a unique portrait of one of fashion\u2019s true visionaries. It was released only a few months prior to Sozzani\u2019s passing in December of 2016, making it a true treasure of fashion media.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"6537cc706d4e2a3ba7b0f684\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Mademoiselle C<\/em> (2013)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cc706d4e2a3ba7b0f684&#8243;,&#8221;index&#8221;:36,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Mademoiselle C follows former Paris Vogue editorinchief Carine Roitfeld on her quest to found her new publication CR&#8230;&#8221;,&#8221;caption&#8221;:&#8221;<em>Mademoiselle C<\/em> follows former Paris <em>Vogue<\/em> editor-in-chief Carine Roitfeld on her quest to found her new publication <em>CR Fashion Book<\/em>, following her departure from Cond\u00e9 Nast. A friend of Karl Lagerfeld and muse to Tom Ford (both of whom cameo in the film), Carine\u2019s rich and interesting life is exposed as she sets out, with her debut magazine, to create a new fashion agenda.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:180,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc706d4e2a3ba7b0f684\/master\/w_320,c_limit\/MVI_9848_00250_09109bis.jpg&#8221;},{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc706d4e2a3ba7b0f684\/master\/w_640,c_limit\/MVI_9848_00250_09109bis.jpg&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:360,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc706d4e2a3ba7b0f684\/master\/w_640,c_limit\/MVI_9848_00250_09109bis.jpg&#8221;},{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc706d4e2a3ba7b0f684\/master\/w_1280,c_limit\/MVI_9848_00250_09109bis.jpg&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:576,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc706d4e2a3ba7b0f684\/master\/w_1024,c_limit\/MVI_9848_00250_09109bis.jpg&#8221;},{&#8220;height&#8221;:1152,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc706d4e2a3ba7b0f684\/master\/w_2048,c_limit\/MVI_9848_00250_09109bis.jpg&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc706d4e2a3ba7b0f684\/master\/w_1280,c_limit\/MVI_9848_00250_09109bis.jpg&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:720,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cc706d4e2a3ba7b0f684\/master\/w_1280,c_limit\/MVI_9848_00250_09109bis.jpg&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Mademoiselle C follows former Paris Vogue editorinchief Carine Roitfeld on her quest to found her new publication CR...\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cc706d4e2a3ba7b0f684\/master\/w_1024%2Cc_limit\/MVI_9848_00250_09109bis.jpg\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<h2><span><em>Mademoiselle C<\/em> (2013)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p><em>Mademoiselle C<\/em> follows former Paris <em>Vogue<\/em> editor-in-chief Carine Roitfeld on her quest to found her new publication <em>CR Fashion Book<\/em>, following her departure from Cond\u00e9 Nast. A friend of Karl Lagerfeld and muse to Tom Ford (both of whom cameo in the film), Carine\u2019s rich and interesting life is exposed as she sets out, with her debut magazine, to create a new fashion agenda.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"66be88a7c938ef2c09b47c02\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Victoria\u2019s Secret: Angels and Demons<\/em> (2022)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be88a7c938ef2c09b47c02&#8243;,&#8221;index&#8221;:37,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain Tyra Banks Karol\u00edna Kurkov Adriana Lima Gisele B\u00fcndchen Adult Person Clothing and Footwear&#8221;,&#8221;caption&#8221;:&#8221;This three-part documentary by Matt Tyrnauer examines the rise and fall of the omnipresent lingerie brand, focusing particularly on Les Wexner, its former CEO, and his relationship with convicted sex offender Jeffrey Epstein. It is an exhaustive and compelling retelling and study of the cultural phenomenon that was Victoria\u2019s Secret, and of its long lasting impact.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Jason Nevader&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:237,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be88a7c938ef2c09b47c02\/master\/w_320,c_limit\/75544658&#8243;},{&#8220;height&#8221;:473,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be88a7c938ef2c09b47c02\/master\/w_640,c_limit\/75544658&#8243;}],&#8221;md&#8221;:[{&#8220;height&#8221;:473,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be88a7c938ef2c09b47c02\/master\/w_640,c_limit\/75544658&#8243;},{&#8220;height&#8221;:947,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be88a7c938ef2c09b47c02\/master\/w_1280,c_limit\/75544658&#8243;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:757,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be88a7c938ef2c09b47c02\/master\/w_1024,c_limit\/75544658&#8243;},{&#8220;height&#8221;:1515,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be88a7c938ef2c09b47c02\/master\/w_2048,c_limit\/75544658&#8243;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:947,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be88a7c938ef2c09b47c02\/master\/w_1280,c_limit\/75544658&#8243;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:947,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be88a7c938ef2c09b47c02\/master\/w_1280,c_limit\/75544658&#8243;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain Tyra Banks Karol\u00edna Kurkov Adriana Lima Gisele B\u00fcndchen Adult Person Clothing and Footwear\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be88a7c938ef2c09b47c02\/master\/w_1024%2Cc_limit\/75544658\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Jason Nevader<\/p>\n<h2><span><em>Victoria\u2019s Secret: Angels and Demons<\/em> (2022)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>This three-part documentary by Matt Tyrnauer examines the rise and fall of the omnipresent lingerie brand, focusing particularly on Les Wexner, its former CEO, and his relationship with convicted sex offender Jeffrey Epstein. It is an exhaustive and compelling retelling and study of the cultural phenomenon that was Victoria\u2019s Secret, and of its long lasting impact.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div data-journey-hook=\"grid-wrapper\" data-testid=\"RowWrapper\">\n<ul>\n<li id=\"6537cad6bbf551d76fee01aa\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>The True Cost<\/em> (2015)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;6537cad6bbf551d76fee01aa&#8221;,&#8221;index&#8221;:38,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;The True Cost&#8221;,&#8221;caption&#8221;:&#8221;Fashion for all, but at what cost? As the director of this documentary, which goes behind the scenes at various mass-produced clothing factories says, \u201cthe film is not a guilt trip.\u201d Instead, it is an important acknowledgment of the hands and lives behind clothing, as well as an exercise in broadening the conversation around fashion.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;YouTube \/ Untold&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:213,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad6bbf551d76fee01aa\/master\/w_320,c_limit\/original&#8221;},{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad6bbf551d76fee01aa\/master\/w_640,c_limit\/original&#8221;}],&#8221;md&#8221;:[{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad6bbf551d76fee01aa\/master\/w_640,c_limit\/original&#8221;},{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad6bbf551d76fee01aa\/master\/w_1280,c_limit\/original&#8221;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:683,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad6bbf551d76fee01aa\/master\/w_1024,c_limit\/original&#8221;},{&#8220;height&#8221;:1365,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad6bbf551d76fee01aa\/master\/w_2048,c_limit\/original&#8221;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad6bbf551d76fee01aa\/master\/w_1280,c_limit\/original&#8221;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/6537cad6bbf551d76fee01aa\/master\/w_1280,c_limit\/original&#8221;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"The True Cost\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6537cad6bbf551d76fee01aa\/master\/w_1024%2Cc_limit\/original\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>YouTube \/ Untold<\/p>\n<h2><span><em>The True Cost<\/em> (2015)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>Fashion for all, but at what cost? As the director of this documentary, which goes behind the scenes at various mass-produced clothing factories says, \u201cthe film is not a guilt trip.\u201d Instead, it is an important acknowledgment of the hands and lives behind clothing, as well as an exercise in broadening the conversation around fashion.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<li id=\"66be8b7b0df99b4a2a2f7147\">\n<div data-event-boundary=\"click\" data-in-view=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" data-event-click=\"{\"pattern\":\"GallerySlide\",\"variation\":\"GallerySlide.ItemLeftMultipleLine\"}\" orientation=\"landscape\" data-item=\"{\"dangerousHed\":\"<em>Scatter My Ashes at Bergdorf\u2019s<\/em> (2013)&#8221;,&#8221;brand&#8221;:{&#8220;name&#8221;:&#8221;&#8221;},&#8221;id&#8221;:&#8221;66be8b7b0df99b4a2a2f7147&#8243;,&#8221;index&#8221;:39,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;offers&#8221;:[],&#8221;offersLength&#8221;:0,&#8221;component&#8221;:&#8221;gallery_slide_component&#8221;,&#8221;image&#8221;:{&#8220;altText&#8221;:&#8221;Image may contain City Flag Urban Apartment Building Architecture Building High Rise Car Transportation and Vehicle&#8221;,&#8221;caption&#8221;:&#8221;A delicious inside look, <em>Scatter My Ashes at Bergdorf\u2019s<\/em> exposes the inner workings of the iconic Manhattan luxury store, Bergdorf Goodman. It features a cast of characters including Giorgio Armani, Candice Bergen, Manolo Blahnik, and Isaac Mizrahi who, together with employees and clients, profess their love for the fashion institution, one of the last of its kind. The name is lifted from a 1990 cartoon by Victoria Roberts that appeared in pages of <em>The New Yorker<\/em>.&#8221;,&#8221;contentType&#8221;:&#8221;photo&#8221;,&#8221;credit&#8221;:&#8221;Rob Kim\/Getty Images&#8221;,&#8221;segmentedSources&#8221;:{&#8220;sm&#8221;:[{&#8220;height&#8221;:213,&#8221;width&#8221;:320,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8b7b0df99b4a2a2f7147\/master\/w_320,c_limit\/133987317&#8243;},{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8b7b0df99b4a2a2f7147\/master\/w_640,c_limit\/133987317&#8243;}],&#8221;md&#8221;:[{&#8220;height&#8221;:427,&#8221;width&#8221;:640,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8b7b0df99b4a2a2f7147\/master\/w_640,c_limit\/133987317&#8243;},{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8b7b0df99b4a2a2f7147\/master\/w_1280,c_limit\/133987317&#8243;}],&#8221;lg&#8221;:[{&#8220;height&#8221;:683,&#8221;width&#8221;:1024,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8b7b0df99b4a2a2f7147\/master\/w_1024,c_limit\/133987317&#8243;},{&#8220;height&#8221;:1365,&#8221;width&#8221;:2048,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8b7b0df99b4a2a2f7147\/master\/w_2048,c_limit\/133987317&#8243;}],&#8221;xl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8b7b0df99b4a2a2f7147\/master\/w_1280,c_limit\/133987317&#8243;}],&#8221;xxl&#8221;:[{&#8220;height&#8221;:853,&#8221;width&#8221;:1280,&#8221;url&#8221;:&#8221;https:\/\/assets.vogue.com\/photos\/66be8b7b0df99b4a2a2f7147\/master\/w_1280,c_limit\/133987317&#8243;}]}}}&#8221; data-testid=&#8221;GallerySlideWrapper&#8221;><\/p>\n<figure>\n<div orientation=\"landscape\">\n<p><span><picture tabindex=\"0\" role=\"button\"><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt=\"Image may contain City Flag Urban Apartment Building Architecture Building High Rise Car Transportation and Vehicle\" loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/66be8b7b0df99b4a2a2f7147\/master\/w_1024%2Cc_limit\/133987317\"><\/p>\n<p><svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\"><title>Expand<\/title><g clip-path=\"url(#a)\"><path fill=\"#000\" fill-rule=\"evenodd\" d=\"m1.778 12.978 4.444-4.445L7.556 9.69 3.11 14.133h3.111v1.778H0V9.69h1.778v3.289Zm12.444-9.956L9.778 7.467 8.444 6.31l4.445-4.444H9.778V0H16v6.222h-1.778v-3.2Z\" clip-rule=\"evenodd\" \/><\/g><defs><clipPath id=\"a\"><path fill=\"#fff\" d=\"M0 0h16v16H0z\" \/><\/clipPath><\/defs><\/svg><\/p>\n<\/picture><\/span><\/p>\n<\/div><figcaption>\n<div>\n<p>Rob Kim\/Getty Images<\/p>\n<h2><span><em>Scatter My Ashes at Bergdorf\u2019s<\/em> (2013)<\/span><\/h2>\n<div data-testid=\"GallerySlideCaptionDekContainer\">\n<div>\n<p>A delicious inside look, <em>Scatter My Ashes at Bergdorf\u2019s<\/em> exposes the inner workings of the iconic Manhattan luxury store, Bergdorf Goodman. It features a cast of characters including Giorgio Armani, Candice Bergen, Manolo Blahnik, and Isaac Mizrahi who, together with employees and clients, profess their love for the fashion institution, one of the last of its kind. The name is lifted from a 1990 cartoon by Victoria Roberts that appeared in pages of <em>The New Yorker<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div data-testid=\"RowWrapper\" data-journey-hook=\"grid-wrapper\">\n<p><a href=\"https:\/\/www.vogue.com\/contributor\/vogue\"><span><picture><source media=\"(max-width: 767px)\"  ><source media=\"(min-width: 768px)\"  ><img decoding=\"async\" alt loading=\"lazy\" src=\"https:\/\/assets.vogue.com\/photos\/6973e386ca1741e4566db1cf\/1:1\/w_90%2Cc_limit\/VOGUE-icon-white.png\"><\/picture><\/span><\/a><\/p>\n<div>\n<p><em>Vogue<\/em> is committed to reporting and riffing on the global fashion conversation\u2014always filtered through the lens of culture and what\u2019s happening in the world at large. With a mix of trendsetting content and thoughtful storytelling, our editors keep an eye on what\u2019s now, what\u2019s next, and what truly matters. &#8230; <a href=\"https:\/\/www.vogue.com\/contributor\/vogue\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>VALENTINO: THE LAST EMPEROR, Valentino Garavani (front, right of center), 2008. \u00a9Truly Indie\/Courtesy Everett Collection Truly Indie\/Courtesy Everett Collection The scenes inside the walls of a glossy magazine or backstage at a glamorous runway show can feel like hermetically sealed worlds, inaccessible to even the most diehard fans. Yes, things have changed thanks to the<\/p>\n","protected":false},"author":1,"featured_media":119,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/transitnews.news\/index.php\/wp-json\/wp\/v2\/posts\/118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/transitnews.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/transitnews.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/transitnews.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/transitnews.news\/index.php\/wp-json\/wp\/v2\/comments?post=118"}],"version-history":[{"count":0,"href":"https:\/\/transitnews.news\/index.php\/wp-json\/wp\/v2\/posts\/118\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/transitnews.news\/index.php\/wp-json\/wp\/v2\/media\/119"}],"wp:attachment":[{"href":"https:\/\/transitnews.news\/index.php\/wp-json\/wp\/v2\/media?parent=118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/transitnews.news\/index.php\/wp-json\/wp\/v2\/categories?post=118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/transitnews.news\/index.php\/wp-json\/wp\/v2\/tags?post=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}